The Field explores the Transcendentalist legacy of New England through its landscapes, illustrated in various three-dimensional imaging techniques. As the continent became modernized by the Industrial Revolution, people became increasingly estranged from their natural environments. The camera is used to amplify the aura conspicuously absent from our casual observations of these environments.









All prints are referred collectively as The Field, Pigmented inkjet prints, 2016






















Installation views of The Field, Neon Heater, August 2016


Installation views of The Field, Vagabond Time Killers, The Wassaic Project, Summer 2017